Enchanted Tiki Room Under New Management

If you've stuck around Theme Park Tourist long enough, you know that for years, we've been adding to a library of Lost Legends – in-depth Imagineering features where we dig deep to tell the complete stories behind beloved-and-lost classics like Journey Into Imagination, Horizons, Mr. Toad’s Wild Ride, Maelstrom, Alien Encounter, and dozens more.

And while those lost masterpieces have a special place in our hearts, they really only tell half the story. Now it’s time to face the facts: not all attractions go on to be legends. That brings us here, to our Declassified Disaster series, where we dissect the before, during, and after of some truly unfortunate missteps. While it may be the legends that are remembered, how can we forget the waterlogged Journey to Atlantis, Cedar Point's aptly-named Disaster Transport, Disney's embarassing Superstar Limo, and the abysmal misfire of Rocket Rods – failures, flops, and outright disasters.

Image: Disney

But if you ask many Imagineering insiders, one attraction stands among the pantheon of tone-deaf "upgrades." An attraction with crude jokes, regrettable humor, and dated 90s style already spells disaster.

Now imagine that these unfortunate ingredients were forced into a beloved classic dating back to Walt himself – one of the few Walt Disney World attractions to bear his direct influence. It may sound unlikely, but just ask those who experienced The Enchanted Tiki Room: Under New Management, the too-long-lived overlay of a timeless classic. Why did this happen? How? Today, we’ll find out. But of course, there's just one place to start.

The beginning

The story of Imagineering's bird-brained disaster begins a continent away from the tropical paradise of Orlando in somewhere that's... well... more semi-arid.

Image: SHAG

There's a reason that this story begins in Disneyland in 1955 – because the existence of the Tiki Room relies entirely upon a very important aspect of Walt Disney's "original Magic Kingdom": its connection to pop culture. 


Sure, today Disneyland is considered a shaper of pop culture, but what's easy to forget is that the park was actually shaped by pop culture, too. Its five themed lands weren't chosen at random; they were the prevailing pop culture genres of the time! Those lands of futurism, fantasy, frontier, adventure, and nostalgia were designed to align with the collective consciousness of mid-century Americana.

Image: Disney

Take Frontierland. At the time of Disneyland’s opening, Americans were practically obsessed with the Old West. Kids spent summer days playing "Cowboys and Indians" outside, returning home to watch The Lone Ranger, Howdy Doody, and Davy Crockett on living room televisions. The "wild frontier" was a prevailing image in the minds of Americans, and the "Westward Ho!" movement had been crystalized as an idealized and proud time of American history... One passed through a lens of romanticism to build Frontierland!

(As perfect evidence of Disneyland's reliance on pop culture, just consider what happened to Frontierland soon after... by the '70s, the "Old West" had largely exited from pop culture in favor of the country's new collective obsession – the Space Age – necessitating Frontierland's evolution to keep current by way of Big Thunder Mountain and the never-built Possibilityland: Discovery Bay once planned for the site.)

Image: Disney

So take a look at Disneyland's Adventureland through the same lens. In the 1950s, audiences were enamored with the “mysterious” wonders that might’ve been hiding in the misty, "undiscovered" jungles of Africa. Films like The African Queen, Congo Crossing, Disney’s own True-Life Adventure series, and the never-ending Tarzan series had shaped America's fascination with "the dark continent." To Disneyland’s earliest visitors, those jungles represented adventure incarnate.

And like Frontierland, Adventureland needed to keep up. In 1959, Hawaii was admitted as the country's 50th state. Suddenly, the “exotic” wonders of the South Pacific became all the rage as entertainment, architecture, art, and food on the mainland went Polynesian.

Image: Noé Alfaro, via History's Newsstand Blog

The ensuing "Tiki Craze" spread across the country in the '60s as Polynesian gods, floral leis, tropical patterns, rattan furniture, rum cocktails, surfing, tiki torches, and hula skirts took center stage. People wanted a piece of paradise, and exotic Hawaii (accessible via increasingly affordable domestic airlines) made it feel attainable!

Just like that, the definition of “adventure” changed, and Adventureland needed to change with it. Disneyland’s Polynesian coup would be one of Walt's proudest accomplishments...

Tiki takeover

Image: Disney

When the concept of incorporating a Polynesian pavilion into Disneyland's Adventureland was first brought to the table, it was as a restaurant. Walt objected to the idea of filling Disneyland with caged birds – or worse, dead and stuffed ones – but the team at WED Enterprises had something else in mind... something that would change Disney Parks forever.

Because, sure, Disney's designers could create simple mechanical figures like those featured in the Jungle Cruise – able to perform repetitive motions by way of internal cogs, gears, and simple machines. But a major innovation at WED created something new. 

Image: Disney

The Enchanted Tiki Room opened in 1963 – at the height of America's "Tiki Craze." If you're an Imagineering fan or a Disney Parks enthusiast, this is your moment to break off from the story and fly over to the standalone feature – Modern Marvels: The Enchanted Tiki Room – where you can dig deep into the innovations that brought the attraction's feathered cast to life. But here's the short version just to get you caught up...

As their name implies, these new figures didn’t just look alive, they sounded it. More than just repetitive mechanical motions, each bird, plant, and Tiki totem inside the pavilion independently breathes, flaps, clips, shuffles, and dances in programmed tandem with audio. Controlled by a massive computer room buried under the attraction, each bird was powered by a "brain" of magnetic tape, triggering sounds and opening and closing pneumatic pistons that powered wings, beaks, eyes, and chests. 

So advanced and unthinkable was this Audio-Animatronic technology to audiences of the 1960s that a single “barker bird” positioned outside the Tiki Room stopped guests in their tracks. Indeed, so many guests crowded around the seemingly “brilliant” bird, massive groups blocked Adventureland’s entrance day and night, entranced by the impossible figure. It wasn't long before the barker bird was removed simply to unclog the path at Adventureland's entrance!


Image: Disney

More than fifty years later, the groundbreaking choir of creatures in Disneyland's Enchanted Tiki Room is spectacular enough to make our must-read countdown of the Best Animatronics on Earth. To this day, Disneyland's feathered figures perform in perfect harmony, leaving young-at-heart guests with the distinct and unshakable impression that they’ve seen truly magical (or at least very well-trained) living birds. And that made it a shoe-in for inclusion in the new Magic Kingdom...

Flying south

Image: Disney

The Enchanted Tiki Room was a bona fide hit and, like so many of the original ideas imagined by Walt and his cast in the early years, it was evergreen. Like Pirates of the Caribbean, Haunted Mansion, or Carousel of Progress, the Enchanted Tiki Room would stand the test of time and remain an invaluable piece of Disneyland; the kind of storied, unshakable, good-hearted family aside that sets Disney Parks apart.

While its sing-along-friendly songs (like “Let’s All Sing Like the Birdies Sing”) were a blast, there’s no forgetting the show’s headlining hit: “The Tiki Tiki Tiki Room.” Written by the venerated Sherman Brothers (the duo responsible for… well… just about every Disney Parks hit you can imagine from “it’s a small world” and "World of Color" to “There’s a Great Big Beautiful Tomorrow" and the "One Little Spark" headliner that featured in another Lost Legend: Journey into Imagination. The two even wrote Mary Poppins’ “Supercalifragilisticexpialidocious”!), the infectious and joyful "Tiki Room" is easily one of the strongest in the Disney Parks songbook and a sing-along masterpiece.

Attraction posters for the Enchanted Tiki Room at Disneyland (left) and Tropical Serenade at Magic Kingdom (right). Images: Disney

Of course, when Imagineers set to work designing Disneyland’s younger sister to be built in Florida, it was obvious that the enchanted chorus of the Tiki Room would have a place of honor in a ready-made, grand theatre. Opening alongside Magic Kingdom on October 1, 1971, the transplanted copy of the attraction was called Tropical Serenade – a fitting way to describe the leisurely, relaxing, and magical show that awaited within.

Like most attractions duplicated from Disneyland to the larger, grander, master-planned Magic Kingdom, the transplanted Tiki Birds in their new Tropical Serenade would take on a larger-than-life presence. The towering Sunshine Pavilion would rise above the jungles of this larger Adventureland as the land's "weenie" - the visual landmark to draw guests in from Magic Kingdom's hub.

Image: Disney, via Omniluxe

Disneyland's version had guests queue in an enchanted volcanic grotto where magical tiki totems of Polynesian gods told their tales. Magic Kingdom's was a bit different, featuring two comical birds revealed from behind a waterfall, explaining how they'd found the Sunshine Pavilion while escaping from some hungry Jungle Cruise predators. Then, guests would be ushered inward where an exact copy of the Disneyland original would delight young and old in simple, sing-along wonder.

A beautiful work of Imagineering and a living testament to Walt Disney’s imagination, both Disneyland’s Enchanted Tiki Room and Magic Kingdom’s identical Tropical Serenade stood among Disney's best ever attractions. So how and why would Disney do something to turn a revered Walt original into a disaster? What happens next may be too painful for Disney Parks fans to relive… Read on…

Image: Disney



I grew up with the original. We saw the under new management and thought it was awful!!! So glad when the original came back. It should never be changed...my grandchildren loved it earlier this year when we took them.

If it was changed in 1997, I would have been nine the first time I saw Under New Management. We lived a few hours away and went every Fall, so even by that age I knew what to expect; I'm a huge fan of 90s Disney movies, but the remix of the ride and having the original 'cast' of birds get criticized just seemed mean to me, especially compared to the sweet musical from before. We were befuddled, as a prior commentor said, and rather disappointed.

We may have visited the ride once more after that, but when we realized it wasn't going to get changed back, it was stricken from our list of go-to rides. I'm glad it's back to it's original splendor, although I definitely feel for the kids who were just a few years younger than me for whom the new version is the original and are now super confused.

I don't begrudge Disney, though; Walt said the parks would always be growing and changing, and trying new ideas with mixed results is better than being too scared to ever improve anything.

As someone who grew up with the original AND the two popular movies (I'm only 37 so I'm an 80s/90s kid) I positively HATED the New Management version. It was tasteless. After having gone about four or five years without a trip to WDW I was finally back for my honeymoon. Of course I had to go to the Tiki Room as I'd always loved it. I was horrified at what awaited me. I did a dance when I heard it was gone and the original was back. My kids (8 and 5) love it as well and talked about the birds and the tiki totems for days after our latest trip in June. Of course, they also enjoy the countries in Epcot WITHOUT characters. Known stuff is not necessary for enjoyment. I hope Disney never tries that again. Can't wait for my girls' trip in January so my two friends and I can sing with the birdies!

In reply to by Robin (not verified)

Totally agree. I live in SoCal, where I enjoy the ORIGINAL Tiki Room, though trimmed a bit, without Offenbach and some of the Tiki song and Let's all sing like the birdies sing's intro trimmed off

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